For independent artists

Build a music career
one room at a time.

The business side isn't hard so much as invisible. Nothing happens when you register a song, and nothing happens when you don't — until two years later, when the money doesn't arrive. Artista makes it visible: real work, in ten-minute pieces, and a building that fills up behind you.

The demo is the real app, running in your browser. Nothing is sent anywhere.

ARTISTA
The press roomLevel 7
The roofLevel 8
The loungeTen people on your own list
The counting roomRecord your first income
The stageLevel 6
The mail roomOne link, every platform
The front deskReleases, dated and planned
The officeStore three agreements
Your roomWhere you start
The studioYour catalog lives here
The filing roomSplits and rights, settled
5 of 11 rooms open

Lit rooms are work you've actually done. Dashed ones are built and waiting. Nothing here can be bought.

Why this exists

Being the artist is the easy part

We sat down with working artists and wrote down what actually goes wrong. None of it was about talent.

Nobody tells you the order

PRO, publishing admin, neighbouring rights, distributor, ISRC, UPC. Every one of them matters, none of them is urgent today, and no one hands you the list.

The splits live in a spreadsheet

A tab per song, a different tab for the recording, featured and non-featured performers — and one person who remembers how it works.

It all sits in eleven tabs

Distributor here, analytics there, contracts in email, receipts in a photo roll. Nothing talks to anything else, so nothing ever feels finished.

The idea

A career with no building, given a building

There's no office, no label, no floor of people whose job is your record. So the work never looks like anything. In Artista it does — and the picture is made only of things you really did.

Rooms open by work, never by payment

Register a song and the filing room opens. Book a show and the stage does. There is no room in this hotel you can buy, and none you can unlock by turning up.

Nothing decays

Disappear for three months and the hotel is exactly as you left it. No streak lost, nothing taken away. Burnout is normal in this job; a tool that punishes it is useless.

Quests are the real checklist

Not busywork invented for a game — the same 22 setup steps and 17 release steps you'd have to do anyway, cut into ten-minute pieces with one line on why each one matters.

The part that makes it work

Enter a song once. Everything else knows about it.

Your catalog is the spine. A song carries its own credits, splits, rights, agreements and links — so a release, a press kit, a pitch or a royalty question is built from what's already there instead of being re-typed for the fifth time.

  • Splits that add to 100% on both the song and the recording, or the app says so
  • ISRC, UPC, language, genre and credits kept where the distributor expects them
  • Rights registrations tracked per song: PRO, publishing, copyright, neighbouring
  • Every smart link, agreement and payment traceable back to the song that earned it
SONG

Midnight Tide

Splits100% · 100%
PRORegistered
PublishingAdministered
ISRCCA-ART-26-00114
Smart linkLive
AgreementSplit sheet signed
What's inside

Five places you'll actually use

Twelve screens in total, built over seven things: songs, releases, people, shows, agreements, money and promo. No feature exists unless an artist asked for it.

♪

Catalog

Every song, finished or not. Metadata, credits, splits, rights and the paperwork attached to it.

◉

Releases

A dated plan per release — seventeen steps counted back from release day, so nothing is remembered too late.

⇗

Promote

Smart links that open the right app, a content plan, pitch tracking, and a fan list that belongs to you.

◍

Money

Income, expenses and grants against each release, so you can say what a record actually cost.

♫

Shows

From first enquiry to booked, with the contact and the fee kept on the show.

✦

Progress

Levels, achievements and a weekly rhythm — all computed from the work, never stored as a score.

About the points

Worth having, or not worth showing

Gamification usually means being paid to click. Ours has four rules, and we'd rather lose the feature than break them.

Only real work scores

Registering a song with your PRO is worth 150 points. Opening the app is worth nothing, forever.

Nothing can be farmed

The big ones score once per song. The small repeatable ones cap out each week.

Sample data earns nothing

The demo is full of example songs. Not one of them moves your score by a single point.

No loss mechanics

No decay, no penalties, no "you're falling behind", and no comparison to other artists.

Recomputed, never stored

Your score is worked out from your own activity every time it's shown, so it can't drift and can't be fudged.

Every reward points forward

A level-up that just says "nice" is a dead end. Ours name the next useful thing to do.

Pricing

No free trial. Ever.

Free trials train people to leave. There's a genuinely useful free plan instead — and when you want the rest, you decide to pay for it on purpose.

Free

$0forever

  • Your whole catalog — no song limit
  • Splits, rights and agreements
  • Releases with the full dated plan
  • Shows, contacts and money tracking
  • The hotel, quests, levels and achievements
  • Export everything you put in, whenever you like
Get early access
At launch

Pro

Price set at launchearly-access members are told first, and keep the launch price

  • Everything in Free
  • Unlimited smart links with full analytics
  • Press kit and one-sheet generation
  • E-signatures on split sheets and agreements
  • Streaming stats pulled in and kept against your catalog
  • Your own domain on your artist page
Join the list

We'd rather tell you a real number later than a fake one now. The price isn't set, so we're not printing one.

Good questions

FAQ

Is the demo real, or a mock-up?

It's the real app. Everything works — add songs, settle splits, plan a release, tick quests. It saves in your own browser and sends nothing anywhere. Accounts and sync come with launch.

Do I have to care about the hotel?

No. It's one tab. If you only ever use Artista to keep your splits straight, that's a perfectly good way to use it.

What happens to what I enter in the demo?

It stays in your browser, and you can export it as a file at any time. When accounts arrive, that file imports straight into your new account.

Is this only for a particular kind of artist?

It's built for independent artists who own their own recordings — solo or in a group, any genre. If someone else handles all your admin, you don't need this.

How is this different from my distributor's dashboard?

A distributor cares about getting a release live. Artista cares about everything either side of that: who wrote what, who's owed what, what's registered, what it cost and what came back.

What about SmartLink?

SmartLink's smart deep-linking is built in as the Promote pillar, so your links and your catalog finally live in the same place.

Early access

Be one of the first artists in

Artista is being built with working artists. Leave your details and we'll bring you in as soon as it's ready for real catalogs.

Your talent deserves a career as big as your sound.

Bring your catalog into one home and let Artista handle the business.